OldNeumanntapr – Page 5 (2024)

Asleep At The Wheel
3/11/00
Recreation Center
California State Polytechnic University
San Luis Obispo, CA

Download FLAC: Google Drive

FOB: (8th Row Center), Nyquist Omnis >Sony TCD-D7 DAT Master
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o
CD Master >WAV >FLAC (Level 8) + Tags Via xACT 2.37

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr

1. Cherokee Maiden
2. Route 66
3. Roly Poly
4. Goin’ Away Party
5. Big Ball’s In Cowtown
6. Red River Valley
7. Jumpin’ At The Woodside
8. Georgia On My Mind
9. House Of Blue Lights

Opened for Bob Dylan

OldNeumanntapr Notes-

This was the first time that I’d seen/recorded Asleep At The Wheel. They put on a good show and were a good opening act. This show has been traded individually a couple of times but never uploaded.

DO NOT Convert To MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Cafe R&B
7/22/00
Blues Round Up
Paso Robles Hot Springs
Paso Robles, CA

Download FLAC: Google Drive

Digital Soundboard; Yamaha 16 Channel board >XLR >Tascam DA-P1 (16bit/44.1khz)

DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO
CD Master >FLAC (Level 8) Via xACT 2.39

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork Photo By OldNeumanntapr

1. Intro
2. John The Revelator
3. Sittin’ On Top Of The World
4. Black Cat Blues
5. How Many More Years*
6. Steppin’
7. Don’t Wake Me
8. Snatch It Back And Hold It
9. I Just Wanna Make Love To You
10. Killing Floor
11. Shine
12. There Was A Time**
13. Smokestack Lightning*

*Howlin Wolf cover
**James Brown cover

Roach – Vocals
Byl Carruthers – Guitars
Harry Cohen – Piano & Organ
Ken Dooley – Bass
Stephen Klong – Drums

OldNeumanntapr Notes-
This was an incredible set! Cafe R&B is a smoking hot blues band from Los Angeles who headlined the 2000 SLO Blues Society Blues Roundup. (The San Luis Obispo Blues Society usually held their shows at the San Luis Obispo Vets’ Hall, but every summer they would put on a big multi-band ‘Blues Round Up’.) I was a volunteer on the sound crew from 1992 until 2001, but still would go back at times when little Jack, the dwarf who was my friend the sound man, retired from doing sound. For the 2000 Blues Round Up, Cafe R&B put on a great show with so much energy. This was the first time that I had seen them, and I patched my Tascam DA-P1 out of the board. Roach has an incredible bluesy voice, and her husband, Bly Carruthers, is a hot guitarist. Unfortunately, because it was a board mix, the guitar was not prominent in the mix because it was so loud onstage. I also photographed the sets that day for the Paso Robles newspaper, where I worked as a photographer. I couldn’t find my original photos and had to use a tear sheet from the newsprint for the artwork. I just love the look in Roach’s eyes in that shot!

70 minutes

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Bela Fleck & The Flecktones
5/10/98
Cuesta College Auditorium
San Luis Obispo, CA

Download FLAC: Google Drive

Nakamichi CM-300s w/CP-1 Cardioid Capsules (On T-Bar)->Sony TCD-D7,(7th Row Center)
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
FLAC Tags Via xACT 2.48
(Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr)

Disc I:

1. Intro
2. Zenergy
3. Labyrinth
4. Almost 12
5. Huckleberry Row
6. My Life *
7. Throwdown At The Hoedown
8. Futureman Solo
9. Big Country

Disc II:

1. Commonality
2. Communication (no lyrics)
3. Flight Of The Cosmic Hippo
4. Sleeping Dogs Lie (Bela Solo)
5. Shanti ~
6. Over The Wall ~

Encore:

7. Sinister Minister

~ Acoustic tracks, Vic on Cello & Futch on percussion box

OldNeumanntapr Notes:
Taping was allowed at this show but I asked not to bring in my microphone stand, so the Nakamichi’s had to go on a T-Bar and be hand held throughout the show. The old Cuesta College Auditorium had such great acoustics, having been built on the old campus during World War Two.
Sadly, it was deemed not to be worth retrofitting for earthquake standards and is slowly falling into decay. I included a photo that i took of the building in 2018.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Bonnie Raitt
Shoreline Amphitheatre
Mountain View, California
Sunday October 11, 1992

Download FLAC: Google Drive

Recorded By OldNeumanntapr from lawn repeater stacks, left side
2 Nakamichi CM-300s w/CP-2 Omnis > Sony WM-D6C using Maxell UDXLIIS cassettes
Transferred: Sony TC-D5M > Tascam DR100mkII (24bit/48khz)

Mastered by Flying -M- (January 2021)
Har-Bal 3.0 & iZotope RX 8 advanced > Goody* > CD Wave > Korg Aqua (16-44) > TLH (flac level 8)

• Goody: Capstan speed stabilization and various adjustments

Billed as “Healing The Sacred Hoop – The Next 500 Years”
A benefit for the International Indian Treaty Council
Sunday’s show also featured performances by Don Henley, Todd Rundgren, Little Feat, Ry Cooder & David Lindley, Cris Williamson, and Floyd “Red Crow” Westerman

Disc 1:

1. Rainy Day Man
2. Love Me Like A Man
3. Nobody’s Girl
4. Love Letter
5. Thing Called Love
6. Not The Only One
7. Nick Of Time
8. All At Once
   [42:20]

Disc 2:

1. Something To Talk About
2. Come To Me
3. Good Man Good Woman
4. Green Light
   Encore:
5. I Can’t Make You Love Me
6. Man Size Job (w/ Carlos Santana)
7. Angel From Montgomery (w/ Chris Williamson, Trent Fury and Michael O’Keefe)
   [42:14]

=-=-=-=
The Band:
Bonnie Raitt – Guitar, Vocals
Glen Clark – Harmonica and Organ
Stephen Bruton – Guitar
Tom Canning – Keyboards
Debra Dobkin – Percussion & Vocals
Ricky Fataar – Drums
James ‘Hutch’ Hutchinson – Bass

With Special Guest: Carlos Santana – Guitar

OldNeumanntapr Notes: This was Bill Graham’s last big festival that he was working on before he died the previous year. I’m sorry that he never lived to actually see them performed. On the surface it seemed these benefit concerts were held to commemorate the 500-year anniversary of Columbus ‘discovering’ the new world. 1492-1992. Actually, it was more to open people’s eyes to the suffering and misery that the Native American people have endured during that 500-year history. One of the Native American speakers between sets commented, “Why do we celebrate Columbus? He was LOST!!” Santana headlined on Saturday and Bonnie Raitt headlined on Sunday. Saturday was billed as ‘The Good Road Concert” and Sunday was billed as ‘Healing The Sacred Hoop’. I remember that between songs, Bonnie remarked that there were a bunch of young girls trying to get into John Lee Hooker’s dressing room. “That’s what I call ‘Healing The Sacred Hoop'”, she said. They were awesome shows. Some of the sets were kind of quiet and have more crowd noise on the recordings than I would have liked. I’m kind of amazed that there are not more recordings of these shows out there. I recorded both days up on the lawn with Nakamichi CM-300s with CP-2 omni capsules->Sony WM-D6C. The music went on from about 3pm to around midnight, so bringing in enough blank tape was a major problem. Another big problem was that since the shows started so early in the afternoon it was nearly impossible to hide recording equipment in broad daylight. I rode up to the shows with my friends Dave and Brian and it wasn’t until I was putting my equipment together in the back seat of the car that I discovered that I had the CP-2 omni capsules on the mics instead of the CP-1 cardioid caps. I was really upset because the omnis add a lot more crowd noise because they lack the side and real isolation that the cardioids have. I had been recording a band in a bar back home the night before and we did a matrix mix with a feed off of the soundboard plus the two CM-300 omnis that were hung from the ceiling.

I got everything in OK on Saturday but Sunday I had a problem. (This saga became one of my best ever taping stories in the years to come!) Because it was kind of cold at night I had brought extra clothing to both stay warm and conceal equipment. I had taken a long-sleeved flannel shirt and wrapped up the mics and knotted the sleeves together. I hid the D6 and cables and a couple of tapes with an ace bandage wrapped around my crotch and had no other option but to put the mics at the bottom of a backpack with misc. crap on top of it. I looked for a line with a security guy that seemed to be doing a minimum of searching and had Dave and Brian go through the turnstiles ahead of me. At the last second a supervisor took over my line just as I stepped up to the search. My heart kind of did a double beat but I hoped for the best. I always relied on the old magician’s sleight-of-hand trick of showing them what you wanted them to see while at the same time distracting them from what you wanted to hide. While my friends went through the turnstiles the supervisor was rummaging around in my bag and felt the mics wrapped up in the shirt. “What’s This?,” he wanted to know and stopped the line. I had to think fast as he was trying but could not untie the knots on the shirt. “It’s a beer bottle,” says I, after the other guy had already torn my ticket. He pulled me out of line and, yelled at me, “You can’t bring that in here!” I stepped out of line and said that I’d get rid of it. Meanwhile, Dave looked back and saw what was going on. I put my hand up in the air palm up and he tossed the car keys to me over the top of the turnstiles. I went back to his car, opened the trunk, and took out two blank cassettes from under my ace bandage and left them in the car. I unwrapped the mics and shoved them down next to the tape deck under the ace bandage and hoped for better luck! When I went back, I picked a different line and got through without a problem. The usher at the gate did a double take when he saw that the ticket had been torn already and then signed off on the back by the supervisor. He asked me about it and I said, with my best ‘dumb-guy’ look, that they had found a beer bottle on me and made me go and get rid of it. What did he say? You guessed it! “You can’t bring that in here!!!!” Yeah, yeah, yeah.

Dave found me inside as I was making my way to the lawn and asked me about it as I gave him back his keys. I told him I had to lighten the load a bit and had to leave some tape behind. “I guess I just won’t tape Don Henley,” I said. “Oh you’ve Got to tape Henley,” he said. Later on, about 5 minutes before Henley came on stage, I looked up to see Dave drop two blank tapes in my lap. “How in the hell did you get Those??” I asked. He said that he had gotten cold and asked the people at the gate if he could go out and get his sweatshirt! Naturally, he had another thought in mind as well. I laughed and shook my head. That’s my story and I’m stickin’ to it! That’s the closest I’ve ever come to getting caught taping.

Once night fell, I could get the mics up higher and make a better recording, but in broad daylight I had no other choice but to sit on the ground under the repeater towers and build a little pile of clothing on top of my backpack. I hid the mics in the sleeves on the shirt and ran the mic cables back to the backpack where the D6 was. I need to transfer these cassettes to CDR. Some will sound better than others.

The music was pretty good. I couldn’t see much of the stage, especially in the daytime, because the view screens were not on. I remember that the Hooker / Cooder set and the Lindley / Cooder set was kind of quiet. Those sets have more crowd noise on them, plus the omni caps sure didn’t help matters. It would have been nice to have the shotguns but they are a little noticeable!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Thanks go out to Professor Goody for adding his magic touch, verifying the pitch and much more.
Jewel box artwork by ethiessen and it looks so nice, a million thanks for the beautiful covers.

Finally, thanks to OldNeumanntapr for trusting me with his recording and waiting forever for me to finish this.

For historical reference only and not intended for resale or any commercial use

Enjoy…
-M- (January 2021)

FLYING M PRODUCTIONS

Support the artists and the venues that host live music

Bridge School Benefit
11/02/91
Shoreline Amphitheatre
Mountain View, CA
Bridge School Benefit #5

Download FLAC: Google Drive

Nakamichi CM-300’s w/CP-1s >Sony WM-D6C Cassette Master (Lawn) >CDR >FLAC
XLIIS Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o
CD Masters >Audacity (Minor Edits: Remove Tape Flips, Loud Hand Claps, And Cable Noise) >FLAC (Level 8) + Tags Via xACT 2.47

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr
2016 Remaster!

Sonic Youth Set NOT Recorded!

Disc I:
Neil Young w/ Nicolette Larson:

1. Forever Young

Larry Keegan w/ Gene LaFond:

2. Ain’t Got The Blues
3. Wheelchair Blues

Intro by Neil Young
John Lee Hooker w/ Roy Rogers:

4. Crawlin’ Kingsnake
5. Hobo Blues
6. Ride Johnny Ride

Don Henley:

7. The End Of The Innocence
8. River
9. Heart Of The Matter
10. Come Rain Or Come Shine
11. Best Of My Love

Disc II:
Nils Lofgren:

1. Blue Skies
2. Sticks And Stones
3. Big Tears Fall
4. Believe (w/ Neil Young)
5. Just A Little

Intro by Neil Young
Tracy Chapman:

6. Crossroads
7. Bang Bang Bang
8. Mountains Of Things
9. Short Supply
10. The Love That You Had
11. Amazing Grace (dedicated to Bill Graham)

Disc III:
Willie Nelson:

1. Valentine
2. Times Slip Away
3. Crazy
4. Night Life
5. Mamas, Don’t Let Your Baby Grow Up To Be Cowboy
6. On The Road Again
7. Blue Eyes Cryin’ In The Rain

Neil Young w/ The Stray Gators:

8. Long May You Run
9. Birds
10. Harvest Moon
11. From Hank To Hendrix
12. Comes A Time

Finale:
Neil Young w/ The Stray Gators (all)

13. Forever Young
14. Greensleeves (a tribute to Bill Graham) Outro

OldNeumanntapr Notes-
This was my first Bridge School Benefit and I was so glad to be there. I’ve seen/recorded four Bridge School Benefits and this one was my favorite. I don’t know if it was the band line up, or because it my first Bridge show, or if it was because of Bill Graham’s recent passing, but there was a lot of energy in the air. I really wanted to record a Bridge show, after having obtained 1st generation cassettes of the 1989 show. I believe that this is the first time that I recorded Neil Young. My friends Dave, Brian, and Rick met up with my ex wife and me at the show. They had reserved seats, while I wanted to be near the repeater speakers on the lawn to record. Dave told me that, though there was a pat down search getting into Shoreline, they would allow you to bring in food. I had the idea to take a small box of saltine crackers and hollow it out. I cut down the cellophane wrappers and only left about 15 crackers in each wrapper. My D6 fit perfectly inside the box, and I left it open with the remaining crackers exposed. We brought in a small tupperware of sliced cheese and cold cuts, and some sealed bottled water. I had a canvas bag with a solid sturdy bottom to hold everything. I took the microphones and custom XLR >RCA shortened cables and used a velcro Ace Bandage to conceal them on my body. Fortunately, being November, we had heavy coats that further concealed the gear. (It was really cold up on that lawn in November!) I opened the bag when we went through security, being careful to not let the gate people notice the added weight of the recorder inside, and we went in without a hitch. I ran the Nakamichi microphones in a Levi jacket, with holes sewn into the front two pockets so the capsules would protrude. I used hollowed out 35 mm film can lids to go over the microphone bodies to keep them from falling through the bottom of the pockets. As long as I stood near the repeater speakers it worked really well. I also had long hair that I wore down to further conceal the microphones. The recorder went into a hip pack so I was totally self contained. This was a really emotional weekend, with the recent death of Bill Graham. Tracy Chapman dedicated ‘Amazing Grace’ to Bill during her set. Nils Lofgren, who played the most touching set of any Bridge set I ever saw, made repeated references to Bill and told a story of getting caught by Graham trying to sneak into the Fillmore East. Nils Lofgren’s song ‘Big Tears Fall’ was very powerful. Nils asked the crowd if there were any parents in the crowd, and I remember thinking of our daughter Lucy, who was born in May of ’91 and was at home with Nikki’s folks while we went to the shows. I had just recorded two very emotional Grateful Dead shows at the Oakland Coliseum on October 27 and October 31. The 10/27/91 show was the first Dead show after Bill’s helicopter crash, (They opened with Bill’s favorite Dead song ’Sugar Magnolia’), and the Halloween show featured Ken Kesey as a special guest. After the Bridge School Benefit show, Nikki and I drove my ’67 VW camper bus to Atherton where we parked in front of my friend Karl’s friend’s parent’s house. Sunday morning we got up early and drove to Golden Gate Park to record the Bill Graham Benefit, which was another emotional all day event. It was billed as ‘Laughter, Love, And Music’. It was quite the weekend. I heard later that Dave, who didn’t stay overnight to see the Sunday Bill Graham memorial concert, ran out of gas driving his friends home in the middle of the night near Santa Margarita, CA.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

JGB
10-26-97
Pozo Saloon
Pozo, CA

Download FLAC: Google Drive

Soundboard >Sony TCD-D7
DAT Master Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII (16/48)

Recorded/Transferred By OldNeumanntapr

Intro >
Shakedown Street
Power Failure Jam >
That’s What Love Will Make You Do >
Not Fade Away >
Fire On The Mountain >
Don’t Let Got
Wharf Rat Sisters And Brothers >
Will The Circle Be Unbroken >
Everything’s Gonna Be All Right

Tapers Notes-

It was sad seeing/recording the Garcia Band without Jerry, but…Melvin’s Gotta Eat! So support him when you can. He is a good musician who is trying to carry on the flame as best he can. I hadn’t listened to this recording in years, if ever. I remember being really sad at this show because it was only a little over two years since Jerry’s passing.

Bonnie Raitt
5/24/15
22nd Annual Avila Beach Blues Festival
Avila Beach Resort,
Avila Beach, CA

Download FLAC: Google Drive

7th Row, Slightly Right Of Center:
Neumann AK-40s (ORTF In Hat) >LC3 >KM-100s >Beyer MV-100 >Tascam DR-100mkII (24/48),
WAV >iZotope RX3 Advanced v3.00.695 (declick) >Audacity (Track Splits, Minor Edits. Amplify, Down Sample / Dither To 16 Bit/44.1k) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35

Recorded, Transferred, FLAC’d & Tagged By Oldneumanntapr.
iZotope RX3 Advanced v3.00.695 (declick) By Dennis Orr.

1. Intro > Down To You
2. Used To Rule The World
3. Right Down The Line *
4. Band Intros
5. Your Good Thing (Is About To End)
6. Women Be Wise **
7. No Getttin’ Over You
8. Hear Me Lord ***
9. Something To Talk About
10. I Believe I’m In Love With You****
11. I’ve Got News For You *
12. Love Letter
13. Love Sneakin’ Up On You

• Encores –

1. I Can’t Make You Love Me
2. Angel From Montgomery
3. Coming Home
4. Never Make Your Move To Soon

• Gerry Rafferty cover
  ** Sippie Wallace cover
  *** Oliver Mtukudzi cover, preamp battery change at end of song. No music lost
  ****The Fabulous Thunderbirdscover
  ***** BB King tribute, Mike Finnigan, lead vocals

Bonnie Raitt – lead vocals & guitars
George Marinelli – guitar & backing vocals
Mike Finnigan – Hammond B3, electric piano & backing vocals
James “Hutch” Hutchinson – bass
Ricky Fataar – drums

ONT Notes-
I hadn’t seen Bonnie since 2002, at the Santa Barbara County Bowl. She’s as good as ever and is definitely one of my all time favorite slide guitar players. The weather in Avila Beach was beautiful, with a slight breeze in the air. The wool cap makes for a good windscreen, but there were occasional gusts that can be heard. The Blues Festival is at the Avila Beach Resort Golf Course and is right next to the ocean. It’s really a beautiful setting. At one point Bonnie remarked, I can’t believe there are whales right over there. Have they gone yet?.’ (I saw/recorded Bonnie the last time she played in Avila Beach, in 1996 for the Walter Capps For Congress Benefit with Jackson Browne, Don Henley, And John Trudell.) I got my ticket to the festival at the last minute, as there are three people who are higher in the pecking order. Fortunately for me, not for them, two couldn’t make it. One was in the hospital with a kidney stone and one was home with a bad back. I had to scrounge for 9 volts before I left the house, not having time to stop to buy new ones, and ended up using previously used batteries from other recordings. I noticed that, a little over 30 minutes into the Bonnie set, the red light on the MV-100 preamp was on, indicating low voltage. I made a battery swap between songs, and fortunately, no music was lost, just a bit of on-stage dialog.

Do NOT Convert To MP3. Do NOT Change These Files!!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Jerry Garcia Band
Ventura Fairgrounds – Ventura, CA
Saturday – May 14th, 1994

Download FLAC: Google Drive

Disc 1 – Set 1:
d1t01 – Cats Under The Stars
d1t02 – C’est La Vie
d1t03 – Get Out Of My Life Woman
d1t04 – Like A Road
d1t05 – Lay Down Sally
d1t06 – My Sisters & Brothers
d1t07 – Deal

Disc 2 – Set 2:
d2t01 – Second That Emotion
d2t02 – He Ain’t Give You None
d2t03 – Struggling Man
d2t04 – Money Honey
d2t05 – Don’t Let Go
d2t06 – The Night They Drove Old Dixie Down
d2t07 – Midnight Moonlight

Bonnie Raitt
12/31/89
Oakland Coliseum Arena
Oakland, CA

Download FLAC: Google Drive

Opened for the Grateful Dead, you can find their show here.

OTS: Nakamichi CM-300’s w/CP-4 Shotgun Capsules >Sony WM-D6C (XLIIS)

Audience Master Transferred: Sony TC-D5M >HHb CDR 800 PRO
CD Master >FLAC (Level 8)+ Tags Via xACT 2.37

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr

1. About To Make Me Leave Home
2. Talk To Me
3. Green Lights
4. Too Soon To Tell
5. Cry On My Shoulder
6. Love Me Like A Man
7. Give It Up Or Let Me Go
8. Thing Called Love
9. Love Letter
10. Three Time Loser

Encore:

11. Nick Of Time
12. River Of Tears
13. Willya Wontcha

Comment
Opened For The Grateful Dead

OldNeumanntapr Notes:
This was an Incredible set! I heard a rumor in line that Bonnie would be opening. She was on fire, and was at the top of her game in ’89 with a hot new comeback CD, ‘Nick Of Time.’ I remember that she was stoked to be onstage with the Dead, and commented to the deadheads at the beginning of the set, “If you’re as ready as you smell, you’re happenin!” I was in the second row of the tapers section with my buddy Gene’s Sony TCD-D10 DAT and Nakamichi CM-300 shotguns. 25 years later I am Still sick that I didn’t have an extra DAT blank and battery for the D10 for her set. I recorded it with my D6 but the D10 would have done such a better job. I find that, over the years, it is Bonnie’s set that I listen to far more than the Dead’s set from this night. I’ve seen Bonnie a number of times since this show but I’ve never heard one of her sets that had the intensity that this one had.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Blues Traveler
July 18th, 1992
Santa Barbara County Bowl
Santa Barbara, CA

Download FLAC: Google Drive

Master:
Nakamichi CM-300s/cp1’s on T-bar >Sony WM-D6C>Cass(m) >HHb CDR 800
Recorded from the 8th row, left-hand side.

Recorded & Transferred By OldNeumanntapr
FLAC’d By Dave Mallick
FLAC Tags + Front-Cover Artwork By OldNeumanntapr

Conversion:
XLIIS Cass Master Transferred: Sony TC-D5M >HHb CDR 800,
CD > xACT 1.69 >FLAC
FLAC Tags Via xACT 2.53

1. 100 Years [04:45.24]
2. Should I Stay Or Should I Go? [08:14.31]
3. Crash Burn > [03:45.15]
4. Dropping Some NYC [03:56.43]
5. What’s For Breakfast [04:44.44]
6. Ivory Tusk [06:37.67]
7. Crystal Flame [12:36.36]
8. Sweet Talking Hippie [13:53.38]
9. Johnny B. Goode [03:24.41]
   Total: [61:58.39]

Notes:

Apparent tape stoppage between tracks 6 and 7, flip between tracks 7 and 8.

Taper Notes-
This was the second time that I saw Blues Traveler. They are a good band and a great opening act! (They opened for the Allman Brothers Band.) Not many tapers at the Bowl, from what I remember. I was one of the closest to the stage, in the 8th row.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉